CrumpArt

February 20, 2010

paper wrangler

Filed under: art, printmaking — Tags: , , , — Crumpet @ 12:44 pm

paper wrangler

I’m a big believer in the idea that your business cards should reflect what it is you do. And being a printmaker, I always felt a bit odd sending off a file and some money to have someone else print my cards up for me. So a year or two back I had the idea to upcycle my old printmaking remnants into business cards. I tried a few times running prints through our printer, but the thickness of the paper made it a bit difficult, and I also couldn’t use up a bunch of the small scraps I had. I contemplated making a photo-etched copper plate with my details, but that always seemed just too difficult and messy. Then a year ago, I was in an exhibition with Wanda Gillespie, and she showed me this awesome stamp she’d bought and used to make notes on post-its as part of her work. It’s essentially a blank case that comes with tiny rubber type, and you can set 3-4 lines in the stamp. Aside from the business cards, I’m also currently using it to create an edition of tiny art/poetry zines (or “art books” if you’re Paul, who I imagine breaks out in a rash at the mere mention of the word “zine”). So stay tuned!

Edited to add: the prints on the non-type sides of these cards are combinations of monoprinting, linocut printing and lithography.

July 22, 2009

40

Filed under: animation, art, film and tv, geekery, printmaking — Crumpet @ 12:38 am

Rabbit and the Moon from Leonie Connellan on Vimeo.

July 10, 2009

Un. Written and Sung.

bookend

Back in March, I was part of a wonderful group show called lots of people have what you have, curated by Anusha Kenny at George Paton Gallery, Melbourne University. The show has recently been reviewed in Un Magazine. You can download the PDF and read the review on page 42 (listed as page 79 in the actual magazine.)

Considering that I had a dream about Neil Gaiman last night (no, not that kind of dream), and you can’t actually see the full embroidered Sandman: Endless Nights quote talked about in the article from any of my text book pictures, I feel compelled to post it:

He did not create the path you walk. But the movements of atoms and galaxies are in his book, and he sees little difference between them.
It is all in his book. One day he will lay it down, when the book is done, and what comes after that is still unwritten.

Destiny continues to walk.

He is holding a book. Inside the book is the Universe.

June 25, 2009

Black + White (shades of grey)

Filed under: Melbourne, animation, art, photography, printmaking — Tags: , , — Crumpet @ 7:54 am

The Kraken

I have a few pieces in the latest salon-style show at Pigment Gallery in Melbourne. The show opens tonight, but is on for just over two weeks on level 2 of the Nicholas Building, near the corner of Swanston St and Flinders Lane in the city.

Alice Falls

The pieces I’ve entered are stills from the animation I made last year. In the catalogue, they’ll appear as The Kraken, Alice Falls and The Kraken Rises, but yesterday when signing the proofs, I changed the titles to Below the thunders of the upper deep, Down, down, down. Would the fall never come to an end? and In roaring he shall rise and on the surface die. I’ve printed an edition of 20 12″ x 18″ photographs for each piece, available from the gallery at $100 each.

The Kraken Rises

I hope you can come along and have a look at some stage during the show.

Black + White (shades of grey)

May 17, 2009

TODAY — Melbourne Museum of Printing Open Day

Melbourne Museum of Printing Open Day

Come along!

April 19, 2009

Week 8. Movement.

#50/365

There was a period in my life about eight weeks ago where things just didn’t seem to stop. I’d started my new job, had an art show opening and was trying to sort out starting my MFA. Constant movement.

#51/365

I was also about to turn 30 and desperately needed to clean my house in preparation for the party. Of course, in my brain, that translated to clean and polish all bookshelves and catalogue all books using Delicious Library.

#52/365

#53/365

I did manage to squeeze in some knitting time. I don’t remember what I was knitting though. I do know it wasn’t the gloves that I promised Mr C’s mum last June…

#54/365

I also snuck in a Puppy of the Week. I’ve been slack with my Puppy of the Week photos. I need to get back on that, because it’s wonderful flipping through all the photos and seeing the changes that don’t get noticed day-to-day.

#55/365

In the meantime, I was busy finding out what I’d need to do for uni in terms of contact hours. It wasn’t much, as Masters is basically a Choose Your Own Adventure type of course, but I needed to go into printmaking weekly for group tutorials. Despite a discussion on the phone about part-time study being viable when I accepted my job, thanks to the wonders of flex time, I was nervous about telling my employer that I had been offered a part-time fully Commonwealth supported place in the MFA. And it turns out I was right to be nervous, as the HR department flat out refused to give me the hour and a half off each Tuesday afternoon (that I would have made up during the week with my “flex” time) that I needed to go to class. All because I’m a new employee. I was pretty upset about this, mostly because if I’d been told that on the phone, I would never have gone through the hassle of enrolling myself at uni and would have instead accepted the offer for the MFA but deferred immediately. Instead, I’d been stressing out for weeks trying to organise things, and now that I’d started the enrollment process, putting the degree off for a year was more complicated and difficult for everyone involved. Despite being very happy to have this job, being told one thing then having that flat out contradicted left a bitter aftertaste — on the day before my birthday, of all days.

#56/365

February 25, 2009

Lot’s of people have what you have

Filed under: Melbourne, art, printmaking — Tags: — Crumpet @ 7:27 am

Lot's of people have what you have.

Just quickly, I’m in this group show opening from 5-7 tonight at George Paton Gallery, Level 2 Union House, Melbourne University (City/Parkville Campus). The show is on Mon-Fri until the 13th of March.

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